Horse racing has been around since the dawn of mankind. It could have started 4,500 years before the birth of Christ in the plains of Central Asia. This is where the horse was first domesticated. Horse racing has been the sport of royalty for thousands of years. Modern horse racing flourishes now because of its gambling aspect. In the U.S., horse racing is the second most widely attended spectator sport, second only to baseball. Horse racing is also a professional sport in numerous other countries.

Different Races

The most popular form of horse racing is what is known as thoroughbred racing. This is the racing of horse over flat courses. The distances of these type of races vary from three-quarters of a mile to two miles. This is also the most ancient form of horse racing. It was already an event in the ancient Olympics. Modern racing began in the 12th century when English knights brought over Arab horses to Europe.

Harness racing also dates back to ancient times but the sport almost disappeared with the fall of the Roman Empire. The modern version of harness racing began in America where racing horses over country roads was a popular pastime until the end of the 18th century. Standardbred horse are used in harness racing. They are bred specifically for this purpose.

Steeplechases are races that include such obstacles as fences, walls, rails and water jumps. Organized steeplechases began in the early 1800s and continue to be popular in the UK. The premiere steeplechase is the Grand National which is held at Aintree. In the U.S., the most significant one is the U.S. Grand National Steeplechase. Hurdling is a variation of steeplechasing that has hurdles as its sole obstacle. Most horses that participate in hurdling eventually move on to steeplechasing.

All The Fuss?

Betting on the outcomes of horse races is one of the main appeals of the sport. It is probably the only reason why it has survived until modern times. Most betting takes place under the pari-mutel wagering system. A fixed percentage is taken from the total amount wagered for expenses, purses and taxes. The rest is divided to determine the payoff on each bet. The odds are calculated by computers and posted publicly during the betting period for each race. Bettors can bet on a horse to win, to place, or to show. Other wagers include the daily double, exactas, quinellas and the pick six.

Horse racing is a pastime for many people. The exciting thrill of horses dashing madly around the track is further enhanced by the rush of winning a huge wager. This activity has gone on for thousands of years and should continue for thousands more. With modern breeding techniques, the performance of horse should continue to increase and records will be broken on the tracks. This is great news for punters everywhere as the sport can only continue to grow. And as it grows, so too will the money changing hands and the opportunity to win that money.

Learn all about horse racing. Gain a horse racing tip horse racing tip or come up with a horse racing system. Visit Sure2Profit.com today.

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The title of Mission’s first chapter is Michael. Here is how it starts …

Enter Michael, dishevelled and panting. His movements are hurried, agitated and anxious. The kitchen door creaks on its hinges after his disinterested push. It does not close and it swings ajar behind him. In an instant, Michael has crossed the room as if out of a desire to distance himself from some pursuer, but now he is cornered. He stops, thinks for a moment and, realising the futility of trying to run away, returns to the door. He pauses there and, with his head cocked on one side, listens intently, trying to discern the frantic sounds of a shouted argument taking place outside. The sounds are dulled and muffled by echoes, but he stays where he is, afraid to approach them. There are several voices: at least five are shouting in apparent opposition without any one gaining the ascendancy. Thus all blend to form a single, incoherent and meaningless noise. Trying to listen is pointless and so, with a rueful shake of the head, he advances into the room again, but this time he moves more slowly, with greater resignation, beneath some weight.

He decides to sit but cannot relax. Perched on the very edge of the settee, he leans forward with his head bowed and his hands resting on his knees. He seems poised to act but is powerless. He can do nothing, now. It is too late. Still without success he tries again to make………

The second chapter, entitled Mulonzya, deals primarily with the local member of parliament, James Mulonzya. But his father, Abel, and son, Charles play significant roles, as does an idealistic administrator, John Mwangangi, recently returned from a successful legal career in London. James and Charles are having dinner with John …

“So the idea is this,” John continued. “The Father has been told he can use the school bus from Mutune once a week for nothing. All he will do is provide the petrol. The nuns have been very generous to us. Without the vehicle we could do nothing. Near Nairobi there is a group of Europeans who are researching into agricultural techniques for some agricultural research agency. Their farm is very productive but is subsidised, so it does not need to make a profit. Michael has persuaded them to sell us their maize and beans at a cheap rate. We will then bring it to Migwani, Mwingi, Mutonguni or wherever in the lorry and then sell off some of it to people who can afford it until we have covered costs and raised enough money for the next trip and then we will distribute the rest free to people who have nothing.”

“That is illegal,” said Charles curtly. “You need a licence to trade grain.”

“Ah, but we are not trading, Charles…”

“You are selling some of it so surely the law would rule that you are trading.”

“But that’s only to get us started. If we can get enough reasonably well-off people to give a hundred shillings each - and regularly - we will be able to carry on without having to sell any of the food. It could then never be argued that we were affecting the traders’ business because we would be supplying only those people who had absolutely no money to buy food for themselves.”

“And how would you identify such people? On whose word do you judge whether a particular family can or cannot afford to feed itself?”

“Priests, Chiefs, District Officers, Members of Parliament….”

The argument had suddenly become very serious. “This food… It will only go to Catholics, then?” asked Mulonzya, as usual firmly grasping quite the wrong end of the other’s meaning.

“Oh no. To anyone who is in need of it.”

Charles spoke again. His voice spoke the words of a mind already made up. “What you propose is illegal. You need a licence to trade grain. Your school bus is licensed to carry children, not merchandise. Mutune is a government-funded school. I am sure that the Ministry of Education would not like to think that their property is being misused in this way. It is definitely illegal.”

“You forget that I am trained in law. I would certainly be prepared to test what you say in the courts. Anyway, the whole project would be done in the name of the Church. Would you like to be seen to bring about a case against the Roman Catholic Church?”

“If it is illegal we would oppose it,” said Charles. “It would certainly be against our interests. We would have to consult with our legal advisers, of course, but I have no doubt in my mind when I say that, whoever started such a scheme, we would seek to stop it through the courts.”

James Mulonzya almost interrupted his son. “Would you, Mr Mwangangi, a magistrate and civil servant openly break the law?” There was some sincere as well as calculated shock in his voice.

“If the law were to stand in the way of a simple, non-profit-making humanitarian scheme such as this, especially in an area racked with famine, then the law must be changed.” There was a hint of the beginning of anger in John’s voice. “If there must be a test case then so be it. Meanwhile people who would have gone hungry will be fed.”

Charles and James Mulonzya began to laugh as he spoke. There was no disrespect, however, only familiarity. Both father and son knew that they had trod this ground far more regularly and successfully than their potential adversary. “Ah John, but now you are talking politics.”

The third chapter, called Janet, is set mainly in London, thirty years on from the other four. When she left college, Janet worked in Migwani’s school and was Father Michael’s neighbour for two years. For two years after she returned from Africa, she corresponded with Michael, during a period of personal crisis, but she had not met him until unannounced he reappeared in her life.

Turning back into the hall, the pause having done no more than shortened her next step, she looked down to see the long Kashmiri runner reveal herringboned terracotta tiles at its edges abutting the now stripped skirts and Janet Smythe, née Rowlandson, felt a sudden and unexpected twinge of nerves, a slight tightening of the breath alongside the slightest tingle of the spine, the kind of shiver she thought she used to feel when her first boyfriend arrived at the family home to pick her up. Now more than thirty years beyond such nonsense, the unexpected nervous trill forced a pause, a mere shortening of the rhythm of her step, just as she passed the second door on her left, which looked into the front room, beyond the closed folding doors. There, presenting the back of his large head above the back of a voluminous easy chair that faced into the room, was David, her husband, precisely where she expected to find him, holding the double spread of his broadsheet high up to catch the brighter light of the hallway behind him, absorbed in a minor piece at the foot of page seven, his head gently nodding to the regularity of the Bach fugues that Janet could just hear scratching from within foam pads of his headphones.

“I’ll get it,” she said ritualistically, as she passed the open door, knowing full well he couldn’t hear. Thus she did not even check for a response which even at best would be a minor noise, not quite a grunt and definitely not a word, if, indeed, such a reference to the obvious might merit any recognition. And so Janet reached the door, a large, wide and heavy hardwood structure, white within and black to the street, hinged on the right, solid panelled in the lower half, but admitting two decorative stained glass panels above, their uneven frosting not allowing any view of those waiting outside, who invariably presented only fuzzed silhouettes against the scattered back-light of the streetlamps. As she turned the latch, Janet’s memory momentarily recreated childhood, prompted by the beautiful symmetry of the diffused street lights and thus reminding her of those same shapes her infancy called ‘angels’ in the frosted glass door of her parents’ suburban semi. Swinging the door open, she smiled at the two priests waiting in the cold and dark of a November evening.

Boniface, the fourth chapter, describes the difficult life of a young teacher in a town near to Migwani. He is chosen by Father Michael to manage one of the Church’s projects, but his chapter is primarily concerned with his family relations.

A violent crash shook Boniface out of his dream. He had seen it coming for almost a minute, but had not prepared himself for the shock. The car had laboured to the summit of a shallow rise to reveal a view of the road ahead. In a broad curve it swept across a wide valley, at the bottom of which a grey and narrow concrete bridge contrasted with the brown unedged earth of the rest of their route. On the down slope, Michael pressed his foot to the floor and the car quickly picked up speed. Boniface knew that at the bottom of the valley, where the road crossed a river bed, the junction between the murram of the road and the concrete of the bridge had worn badly, leaving a vertical step between the two surfaces, several inches high in parts. Everyone who travelled the main road knew the spot. Even the more irresponsible bus drivers would slow to a crawl here to negotiate the bump, but could still not prevent the flow of abuse from the rear seats when their vehicles lurched as they crossed onto the bridge and threw the most vulnerable passengers momentarily into the air. There was simply no way of avoiding it.

By the time Michael’s car hit the ramp, it was doing fifty miles per hour, but of those inside the car only Josephine, Boniface’s wife, seemed concerned by the looming danger. Not until the wheels hit the step and lifted the entire car into the air did either of the men in front of her show any reaction. A split second before impact, she tried to utter a warning shout, but it was already too late. The car hit the ridge, flew into the air and came down with what seemed like a gigantic crash, flinging her from her seat and transforming her intended shout into a long high-pitched scream.

Boniface simply held on. Michael’s previously vacant expression disappeared, transformed by the widening of his eyes to one of undiluted shock and surprise. After only a short skid, which the priest quickly and easily controlled, the car sped on without either a word or glance shared. Some moments later, Boniface did turn to face his wife who was bent low over the child in her lap and holding the top of her head which had bumped hard against the roof. He offered a short comforting smile to ease her discomfort and said, “Don’t worry, Josephine. Father always drives like this.”

The final chapter introduces Munyasya, an ex-army officer who, late in life, has become destitute. It is his mission, however, which endures, despite being revealed as misguided. He is apparently possessed by the spirit of his long-dead step-father.

In the bottle is my madness, the spirit which haunts me, exhausts me, taunts me, entraps me. I, the hunter, the warrior, am caged like a monkey. Let me free! Let me free to live my own life and die my own death. You hold the key, not I. I would break the lock but I can’t find the door. Another drink. Another drink to bring me closer to you, to hold you near until you let me go. Do you hear? You? Nzoka? Do you hear?

He had been ignored until then. Hundreds of people had passed him by, but even those whom he had befriended in the past offered neither greeting nor any sign of recognition. People had met and stood in conversation less than spitting distance from where he lay without even acknowledging his presence. It was as if he had become a part of the tree beneath which he sat, merely an exposed root to be stepped over and avoided lest one should trip. His constant, almost silent murmuring remained always inaudible amongst the daily bustle of the market place, especially on market day, itself, when this flat triangle of hardened, bare, red earth rang with the noise and commotion of trade and humanity.

These last words which he said, however, this oft-repeated question, habitually delivered with the air of a command, these words were never a whisper. Every muscle in him strained and shook to throw out the sound. His entire skeleton of a body stiffened and convulsed, the words grumbling forth from deep within his squelching chest. Thrown out as if spewed in rejection, the sound bellowed like thunder, chased by its own echo. It demanded attention, and received it, albeit begrudgingly and obliquely. It forced people to react, to look his way and thus acknowledge his presence. At such moments, all conversation, all business stopped for a moment as heads turned towards Munyasya’s tree. Those with no direct view craned their necks to see, would jostle for position for just a glimpse, but no-one would want to go too close. No-one would ever answer. No-one would ever intervene.

Philip Spires
Author of Mission, an African novel set in Kenya
http://www.philipspires.co.uk

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Did you know that there are at least eight different types of magic trick effect classifications? While there’s no real science or formal agreement on what classification should be its own category or not, many magicians to some degree recognize Production, Vanishing, Transformation, Restoration, Teleportation, Levitation, Penetration, and Prediction as the eight categories of magic trick effects. Each category depicts a certain type of effect and by knowing a little bit about each effect you can easily focus your efforts on learning tricks from that category over the others. So let’s take a look into what each category does and see some examples of tricks that best represent them.

- Production effects are when the magician reveals something where there was nothing. This is the opposite of Vanishing.
- Examples:

Pulling a rabbit out of your hat.

Removing a coin from a participants ear.

- Vanishing effects involve the magician taking something and making it disappear. This is the opposite of Production.
- Examples:

Revealing an empty box after your assistant has just recently entered it.

Making a bird disappear under a cloth.

- Transformation effects are when the magician changes something from one state into another. This is achieved through a combination of Production and Vanishing.
- Examples:

Changing the color of a handkerchief.

Revealing the card a participant put in the deck to actually be the card in their hand. l Restoration effects involve the magician taking an item that has been destroyed and reverting it to its original state.
- Examples:

Putting a playing card that has been ripped apart back together like new.

Reattaching your assistant that you just sawed in half.

- Teleportation effects involve the magician moving an object from its original location to a new location. This effect also encompasses two objects changing location with each other (double teleportation).
- Examples:

The card your participant just placed inside your deck is actually the card in your pocket.

Your assistant that entered the cabinet is revealed to be in the audience.

- Levitation effects involve the magician creating the illusion that an object or themselves are floating.
- Examples:

David Blane hovering several inches off of the floor.

Floating a coin between your hands.

- Penetration effects involve the magician taking a completely solid object and passing it through another completely solid object.
- Examples:

Placing swords into holes in a cabinet that your assistant is inside of.

Walking through the Great Wall of China.

- Prediction effects involve the magician determining the outcome of a sequence of events.
- Examples:

Knowing the card that your participant has chosen.

Describing a picture your participant drew while your back was turned to them.

There are plenty of magicians that specialize in one type of effect over another, but most magicians are well versed in merging the different effects to provide a diverse routine. Many tricks actually encompass multiple effects in one, such as one of the oldest magic tricks ever, the cup and balls routine, which actually utilizes aspects from Production, Banishing, Transformation, Teleportation, and Penetration.

Billy Zype is an magic expert. You can check out his website at http://www.magictricksandyou.com

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“As a magician I promise never to reveal the secret of any illusion to a non-magician, unless that one swears to uphold the Magician’s Oath in turn. I promise never to perform any illusion for any non-magician without first practicing the effect until I can perform it well enough to maintain the illusion of magic.”

If you are truly dedicated to learning and understanding magic, then you should stand proudly and say the Magician’s Oath listed above. By doing so, you establish yourself as a magician along with making the promise to yourself and other magicians that you will uphold your promise and not reveal secrets of the trade purposely of due to your inexperience with a trick.

As much as magic is about amusing your audience and leaving them with a feeling of awe, magic is also about you enjoying what you’re doing. If a trick you’re about to perform has been revealed to your audience, you’ll find that the fun of the situation has all but disappeared. Recognizing the effects that revealing a trick can have on your performance and the performance of others should be enough to dissuade you from doing so. But if it isn’t, keep in mind that many individuals perform magic tricks for a living. Would you pay to see a magician if you knew how all of his tricks were performed?

Magician’s tend to distance themselves from other magician’s who have broken the Magician’s Oath. With fellow magician’s being the best source to learn new tricks and help refine your skills, breaking the oath can be career or hobby suicide. Magician’s who have entered the lime light to reveal secrets have been publicly outed in the past and now find themselves no longer active in the world of magic.

Reading about the Magician’s Oath on a website that provides instruction as to how to perform magic tricks may seem odd, but the truth of it is that we’re upholding the oath in our own part as well. It has always been considered acceptable to provide a means to learn magic to those that have the desire to learn magic. It has become harder and harder to come by a magician who will invest the time to teach someone the trade, for pay or free, so turning to the internet, books, and DVDs has become the only available option for many.

One of the greatest things about magic is that the possibilities are endless. Old tricks can always be changed around so that the revealed secret is no longer relevant and a new trick is born. By learning tricks from MagicTricksAndYou.com, you’ll begin to realize that the skill you gain here will be the building blocks for your future in magic.

Billy Zype is an magic expert. You can check out his website at http://www.magictricksandyou.com

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He guided me down the narrow, winding stairs into the bowels of the abysmal caverns where rats ran freely and the stone floors were awash with slime. Coughing and moaning oozed from hidden chambers as we made our way through this hell that could only be described as the most horrendous nightmare a man could imagine.

The jailor pointed to a dark, seeping, windowless cell, barely six feet square and five feet high, and with the lantern, I searched every inch of the room on my hands and knees until, in a corner; I found something scratched on the stone wall:

Once there was a little tree. It had a special place all to itself in a beautiful forest, and with the warm winds and gentle rains; the seedling began to grow. Soon, a few small leaves appeared, and the little tree spent the long summer days opening itself to the sun.

For some reason, however, growing straight and tall in this wonderful sunny spot was not enough; something was missing. The seedling was lonely and needed friends. Before long, other little trees gathered round, and the little tree was finally happy.

The other little trees began to grow, tall and sturdy, but the poor little seedling, now covered by their shade, could hardly grow at all. This didn’t matter, however, because the little tree’s only concern was its friends, and their happiness.

Winters came, followed by springs, and time stood still yet somehow moved, as the little tree, just a few feet tall, found itself surrounded by giant trees. They were so tall that the little tree could barely see their tops, and sadly, it lost touch with them, but was happy nonetheless because its friends had grown so big and strong.

One day, years later, one of the large trees that was now old and diseased fell over and crushed the little tree. The little tree’s heart was broken, but not because it now lay under a huge, dead log, but because its old friend had died and could no longer feel the wind through its branches and the sun on its leaves; things that the little tree could remember from long ago. And in thinking about its friend, the little tree forgot all about itself.

One of its tiny leaves, however, could be seen peeking out from under the massive log that had fallen on it because as the old tree fell, a window in the canopy of the forest opened up. And for the first time since it was a small seedling, the little tree felt the wonderful warmth of the sun as it touched its solitary leaf.

The years continued to pass, as they do, and another tree fell, then another, and another until the little tree was alone again. In time, it was able to grow out from under its fallen friend, and although it was now twisted and deformed because of its efforts, it blamed nobody, and was at peace with itself and the forest.

The little tree could never see beyond its small, special home in the wilderness, but somehow it became very wise. It knew the feeling of joy; the joy of the sun and of the wind, and it learned how to accept darkness. It understood, as well, that things sometimes happen beyond our control, and more importantly, that love can only happen beyond our control.

It could see that small trees are criticized at times for not living up to what others perceive as their potential of becoming large trees, and how, sadly, they might then try very hard to become something they can never be, not seeing the beauty of what they already are.

It could see as well that within the insignificance of little trees is found the greatness of large trees, but whether they were great or small, the little tree loved them all.

It never grew very big, living out its life reaching toward the light. Then, one beautiful, spring morning . . . it died - so quietly and peacefully that the forest never noticed. (I forgive you, my prince.)

As I read the words, I began to feel in my heart what the blacksmith must have felt as he painstakingly chiseled each word, each sentence in stone. And suddenly, the words on that wall pierced my very soul as my heart broke open for the first time in my life. I was overcome; I wept openly, and the jailor held me in his arms as if I were a child.

I sobbed uncontrollably as the sequence of events over the last fourteen years took its justifiable toll. Visions scorched my brain of the innocent men I ruthlessly killed on the battlefield, soldiers who were only defending their families from a brutal invader. I could hear their death gurgles, see their eyes glaze over, feel my adrenalin rushes, feel the power I held over life and death . . ., and feel the wild anticipation toward the next kill. All of this smashed into my consciousness, coming as a terrible shock.

My sobbing eventually subsided, and I became quiet, emptied out. All that I could do was stare at the wall. I remember hearing the lantern burning with its subtle hiss, and water trickling somewhere in this hellhole, and then, unexpectedly, my mind went blank.

I don’t know how long I remained in this state, but when I finally came around and became aware of my surroundings again, the first thing I noticed was the jailor, keeping careful watch over me. And I felt an overwhelming affection for this old friend.

“Wait here until morning,” I said. “Under my authority, you will at that time release every prisoner in the dungeons and call back my troops from the field. Every prisoner, is to be released; do you hear me?”

I put my hand on his shoulder and looked into his eyes. “I will never forget your being with me now; I promise you that.”

Night was falling as I made my way to the stables. I was in a dream-state; seemingly floating instead of walking. The royal grooms and stablemen were gathered around Conqueror, not daring to touch him without my orders, even though the mighty horse was shaking and drenched in sweat from his enormous effort to carry me to my dying father.

“Go home,” I quietly ordered. After the grooms bowed and backed out of the stable, I began removing the horse’s heavy battle armor myself.

“One more journey, my friend.” I whispered in Conqueror’s ear, “Only one more, I promise.”

I fed him, and then brushed him as carefully as a mother would brush her child’s precious hair; other than the jailor, he was my only friend in the world. I placed the brush back on its shelf, and sat on the straw floor for a long time, gazing at the door in silence.

I stood up and removed my sword, scabbard, and my Royal battle garments, standing naked before an old robe draped on a peg in the corner of the stall. Without looking back I quietly led my charger out of the stables, slipping inconspicuously across the drawbridge

I had no sandals, no possessions; I was empty, as I rode Conqueror bareback into the forest, wearing only my borrowed, stableman’s robe.

I had to find my key to happiness. It was the only thing that could save me from myself. (To be continued)

E. Raymond Rock of Fort Myers, Florida is cofounder and principal teacher at the Southwest Florida Insight Center, http://www.SouthwestFloridaInsightCenter.com His twenty-eight years of meditation experience has taken him across four continents, including two stopovers in Thailand where he practiced in the remote northeast forests as an ordained Theravada Buddhist monk. His book, A Year to Enlightenment (Career Press/New Page Books) is now available at major bookstores and online retailers. Visit http://www.AYearToEnlightenment.com

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A prime example of a weapon that was used by different Old World cultures at different times is the crossbow. The ancient Greeks were among the first to make use of portable one-man crossbows. These portable crossbows were never very popular with the Greeks or Romans, and it would not be until medieval times that the weapon would gain wide use in Europe.

The opposite was the case in ancient China, where the crossbow had been the principal weapon of Chinese armies since at least the Han Dynasty. Several tombs dating from the 5th and 4th centuries BCE have been found which contained crossbows. The first major improvement in Chinese crossbow design came in the 11th century, with the development of the foot stirrup. The user would place one foot in the stirrup while bracing the butt end of the crossbow against his chest, giving him greater leverage when drawing the bow. The crossbows principal advantage was that it was simple to operate. It was aimed and fired much like a modern handgun. It did not require the years of practice necessary to master other bows such as the English longbow. By the 13th century, Chinese crossbows were deadly up to 365 meters.

Although crossbows were simple to use, they were complicated to manufacture. Trained craftsmen were needed to manufacture the complex metal trigger mechanisms. Designing the bows themselves also required great skill. The bows were composed of wood, bone, horn, and sinew, fused together for maximum strength and range. The outer surface of the bow was reinforced by the animal sinew, while a layer of animal horn or bone reinforced the inner surface. The skill needed to make such compound bows had already been developed long before by nomadic peoples of Central Asia such as the Mongols and Turks.

After centuries of not being used, the crossbow reappeared in Europe in the 11th century, and it became especially popular in Italy. During the Crusades, the Christians learned from the Muslims that compound bows, as used in Central Asia and China, were much more effective than bows made from wood alone. The Europeans improved bow strength even more when around 1370 they began replacing their composite crossbows with steel crossbows. These steel bows had a range of 365 to 410 meters.

This increased power required a force more than human muscle to draw the bow. Various mechanical devices were invented to aid in drawing the bow. These steel crossbows could now penetrate armor at close range. The Church was concerned with the power of these weapons, and in 1139 banned the use of crossbows against Christians. This restriction was not always observed, and the crossbow would remain a principal item in use by European armies until they were gradually replaced by gunpowder.

Keith Grable is a sports enthusiast, outdoorsman and the owner of an outdoor sports and recreation website http://www.theoutdoorsportsshop.com where a large selection of crossbows and accessories can be seen.

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Spam mail. Frustrating, time-wasting, utterly pointless. Right? Not if you’re a member of a fast-growing new literary movement. Proponents of this new artform call their oeuvre ’spam lit’, ’spam poetry’ or just plain ’spoetry’, and comb their junk mail folders for tidbits of text to turn into literature.

If you’ve ever received spam mail (which you probably have - around 90 billion bulk messages are sent every day) you’ve probably noticed the unusual and often poetic paragraphs of text at the end of messages. They read something like this:

Hand hath planted, and the branch that thou madest at the
time of year when i visited the factory, arrow, the highsouled
ruler of the madras, addressing following her,

These paragraphs are spammers’ attempts to fool the junk filters imposed by mail providers. You’ve probably seen junk email with titles like V1agra, Via’gra or Vi@graa - this is another method spammers use to get around text recognition. Junk filters are programmed to recognise common spam words like viagra and hoodia, so the spammers change characters so the word is unrecognisable by anti-spam filters but legible to the human eye.

The text paragraphs that spam-lit writers love are evidence of a more complex filter-evading practise. Spammers use a bot to randomly generate short paragraphs, getting their material from the dissociated press (an algorithm for creating text from other text) or the digital web archive Project Gutenberg. Others feed passages from old Bibles through a program, hoping that the archaic language will slip through the filters.

The Spam Literature movement owes much to the willingness of creative souls to see art in the most bizarre of places, or perhaps a quaint desire to turn even the most frustrating banality into something worth reading. It’s definitely worth a look.

Be part of the Spam Lit movement at http://www.spamstories.com

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Once upon a time, there was a tiny kitten called Pepin who loved to play everywhere and all the time. He played and played and played. He just could not stop playing. One day while he was playing, he suddenly heard a noise coming from inside a wall.

“Someone is in need of help” Pepin said to himself.

So he tried to push the wall, but nothing happened.

He tried to hit the wall but he only managed to hurt his little paws.

Then he called in a quiet voice “Where are you? I must come and help you!”

There was no reply…but the noise continued.

“Please answer me, I only want to help” Pepin said and just as he finished what he was saying, the noise completely stopped.

“I hope he is all right now! Whoever it may be… “sighed Pepin.

Just as he was going back to play again, he saw two small shinning eyes watching him from a dark hole at the corner of the wall. Pepin moved backwards one step. He was a bit worried because he did not know what was hiding there. Then said quickly “I do not know who you are, but if you want my help, you must come out now” The two small shining eyes, it seemed to Pepin, were appearing then disappearing as if blinking…

“I am sick,” a faint voice and a strange one too, came out from the dark hole.

Pepin hearing the voice was a bit confused, because the voice did not sound like any kittens’ he had played before, and without thinking he took another step backwards which made him fall into the pond just behind him.

The two small, shining eyes watching from the dark hole became two tiny dark spots in the daylight as a mouse came running out to help Pepin.

The mouse tried hard to save Pepin even though he himself was sick, but he was too small and too weak to pull Pepin out of the water. So he looked around him and to his delight he saw the branch of a tree just touching the water close to Pepin.

“The tree branch will save you, hold it, hold it now”.

The mouse shouted as loud as he could, but Pepin was too scared to do anything. He kept splashing the water in panic trying hard to get out of it. But the more he splashed the water, the further away from the mouse he became.

“Don’t be afraid and don’t panic, I will climb the tree branch, go to the end of it and extend my tail to you so that you can hold on”.

The mouse climbed the trunk of the tree to the branch and then went down to the end of it. He turned round until he felt the cold water touching his tail. The mouse shivered and pulled back his tail but quickly tried once more.

“Hurry up and grab my tail” the mouse called out to Pepin. His whole body shivered again as his whole tail was immersed in the water.

Pepin, coughing because he had swallowed water from the pond, tried to catch the mouse’s tail. He closed his eyes and said to himself just as he managed to catch the end of the mouse’s tail “I will make it, I will be alright”.

Pepin was saved but very wet. He lay on his back, feeling cold, beside the sick mouse.

“I am sick” the mouse said.

“I am sick too” Pepin said.

Then, the warm sun came out from behind the clouds. The mouse and Pepin closed their eyes to avoid the bright light, but both of them started to feel a little bit better as the heat of the sun started to dry their wet fur.

Later, when both of them felt completely dry and warm, Pepin who was feeling good once again, said to the mouse: “What is that thing coming out of your back?”

The mouse turned his head towards his back and said in a worried voice: “That is where I feel the pain!”

Pepin moved towards the mouse, started sniffing and looking at his back then said in an excited voice as if he had discovered something: “I know what is sticking out of your back!”

The mouse didn’t care what Pepin had said to him, because he thought no one could do anything to save him from the terrible pain.

“Don’t move, I will take that thing out of your back” Pepin said to the mouse, who was shaking his head as if he did not believe what he was hearing.

Pepin slowly opened his mouth close to the back of the mouse. If you had been there, watching what was happening, you might have thought that Pepin was about to eat the mouse, and to be honest, the mouse suddenly felt very worried too. For a moment, he thought he should really stand up and run away as fast as he could to save his life from those giant jaws.

But it was too late…

Pepin was already holding something in his mouth, which he was trying to pull out of the mouse’s back. It was really painful for the poor mouse, but he was determined not to scream or make any movement and let Pepin finish what he was doing. Because deep down in his heart, he knew that Pepin had good intention and that he really wanted to save him from his pain and make him feel well again. Yes, he knew that especially at that moment.

It was a very big thorn that Pepin managed to remove from the mouse’s back. He moved forward and dropped it on the ground near the tree.

“Wow, the pain has disappeared! What have you done? Are you a doctor?” The relieved mouse said, with clear signs of happiness in his face.

“Oh, well! It was really nothing…, “said Pepin proudly.

In fact, Pepin was feeling so good about himself that he lifted his head and tail up high and walked away with his eyes half closed wondering if he really should become a doctor. The happy mouse ran quickly after him and disappeared into the little dark hole.

Altawell

© Altawell 2008 (All Rights Reserved)

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A tremendous exhilaration began rising inside of me, as I watched Ariya disappear into the treetops. All of my unanswered questions now faded into the background. The appearance of this mystical being, whatever she was, liberated me to the point that I was ready to forge ahead with reckless abandonment regardless of what I would have to face. This implausible helper being had gained my complete trust and I just knew, in my heart, that I was on the right track. Nothing mattered to me now except this elusive key, and with the help of this astonishing creature, I was certain that I would find it. I was confident that I would make my way back to a place in my heart that I had been away from far too long.

The next morning, not surprisingly, Conqueror and I discovered an open trail leading out of the meadow, rescuing us from the tangled vines that we had been trapped in for weeks. And with spirits high, our journey resumed. For some reason, the kingdom and my previous decadent life were not missed at all, almost as if I had searched for this key before and knew intuitively how to do it. It was a feeling of a distant recall, that same feeling I had those many years ago before the war, when I stepped into the ring with my general. He was a good man, the General; he deliberately took an arrow that was meant for me.

With unshakeable resolve, my nomadic existence continued as I wandered for weeks and months, with the months turning into years. My undying faith in the blacksmith, and now Ariya, instilled within me a most unusual courage. Nevertheless, my many unanswered questions remained.

In my ragged robe, stringy hair, and long scruffy beard, I continued to roam for five long, uneventful years. If I had not been a trained warrior, I could have never persevered. I built temporary shelters with leaves and branches during the monsoon rains but never stayed in one place too long, wary of my many enemies, both from the kingdoms that I had conquered and, sadly, from my own kingdom as well. They would not rest until I was dead.

I found water in streams and lakes, picked fruit and coconuts, fished, and trapped small animals, but for some inexplicable reason I became increasingly sensitive to taking animals’ lives, and eventually I could no longer kill them at all. I had to rely on only root vegetables and plants to supplement the fruits and nuts that sustained me. Something quite unfamiliar was stirring deep in my heart.

But the isolation was devastating; an overwhelming remoteness, something that I had never experienced before. Without Conqueror, I could never have suffered this crushing loneliness that offered no escape. It was killing me.

My body was severely weakened as well by the many fevers and illnesses that struck, and my muscles shrunk to half their normal size, but with the brave heart of a warrior, I continued. I was concerned; however, that one more fever would do me in. I was in my thirty-seventh year.

One night, the mosquitoes were unusually fierce. I wrapped up tight in my torn, shabby robe but it helped little, and as the night wore on, I was attacked unmercifully. The wind then turned cold, and with no shelter from the driving north wind and freezing rain, I was soon soaked to the bone, freezing and shaking uncontrollably.

Conqueror rolled in the mud next to me to break the wind, and I huddled next to the horse’s warm body. Memories of my kingdom and of my father haunted me and heavy doubt began creeping in as I longed for the things I had left behind. But that silent voice in my valiant heart whispered to me, “Go on.”

Illness struck not long after this dreadful night with a fever as unrelenting as the persistent rains that drenched the forest. I was sweating, then freezing, and regardless of Conqueror dropping bananas near me, I was too weak to eat.

I didn’t mind dying. I could accept that. But my heart was broken. Now I knew that I would never find my key. I was also bitterly disappointed with the cunning sorcerer who had lied to me about power, encouraging the commission of atrocities that now became a noose around my neck. I felt my helper being had let me down too, and the thought crossed my mind that perhaps I merely imagined Ariya. Maybe she was only a fanciful illusion brought on by loneliness.

Only after my best efforts were exhausted would she come, she promised, and yet she was nowhere to be found. I knew now that she wasn’t coming, and my only concern was for my trusted friend; what would happen to Conqueror? It was cold and raining hard again that night, and as my good eye began to close, I began slipping away.

I wasn’t sure whether I was dreaming or not, but there seemed to be a small point of light flickering through the fog and rain. Straining to see the faint green glow with my good eye, and all the remaining strength I had left, I was suddenly astonished by a blinding flash of blue-green radiance, as Ariya descended and stood before me. With her piercing eyes dancing, she entered my mind and said, “Did you doubt your helper being, my king?”

Almost imperceptibly at first, I felt a mounting strength filling me. In no time, the fever was gone and my shaking stopped, and although the deluge continued, not a drop of rain fell on me. She was transferring her great power into my body; I could feel it, and she was saving my life. My heart melted.

“Ariya, you didn’t forsake me; I thought perhaps you had.”

“Oh my great king, your mind is filled with so many doubts. Just believe in me, and as you seek your key with all your heart, all will be well.”

“I will, Ariya, I promise you. Part of me doubted you, but only for a moment. My heart never did. You promised that if I followed my heart, I would find my key and so I followed it for five lonely years, believing in you. And what I have come to realize is that until I find my key, I will always be lost, even with your help.”

“Well said! You are really making progress! The five lonely years you have spent has cleared your vision a little. And this was your first test.”

“My vision has cleared in many ways,” I replied, “but not completely. Although I trust you, I must tell you that I do not trust the sorcerer. He lied to me. He claimed his gold would give me power, which would lead to lasting happiness, but all it led to was suffering and death.”

“Oh, the sorcerer! She replied. “Please, don’t judge him too harshly. Someday you will see him in a different light. The sorcerer is a master of masters and will always do what is in your best interests, even though you won’t understand things at the time. He knew you had an iron-strong will, which is of course required to find the key, but he knew as well that you would only believe what you discover for yourself, never believing what you are told. Would you have believed that all the gold and power in the world would not make a king happy? Of course not, so he let you see for yourself. You believed that killing had no severe repercussions, but your nature was to kill, certain that no repercussions could ever touch the greatest warrior in the land. The sorcerer could not alter your nature, only you can change that through something much stronger than the sorcerer, but he could open your eyes to the consequences of your nature. He knew that you would lose an eye because all of this, but considered it a small price to pay if it led you to a quest for the key.”

She was right, of course, and as I looked back, I could see the sorcerer’s clever manipulations. This sorcerer was a very tricky individual indeed.

“Ariya, five years ago you left before answering all of my questions, and now I have many more. Please, could you take a moment and satisfy this hunger that I have?”

Ariya smiled, listening patiently and then began addressing the many questions she had already seen in my mind. She said that I had freewill, and that I could either return to my kingdom or continue my quest, that she would protect me either way. She said that I must be careful of this freewill; however, because I will feel the direct results of every action I consciously take, no matter how trivial.

“Within your freewill,” she said, “you can search for truth; which is very difficult, or look the other way and take the easy path of least resistance. This is what most people do in the world; take a path of convenience. It seems easy, and they are not the least bit worried about their fate in the next world, thinking that they will handle whatever comes up later. Their destiny is then out of their hands. Life is impermanent; it has no unchanging subsistence and therefore becomes disappointing sooner or later. All things change. And if all things are constantly in flux, then there is no fixed “self,” or permanent soul that is unchanging. The fact that you, my king, are constantly changing gives you a chance to either expand your consciousness and escape from lifetime after lifetime of disappointments, going on to better worlds, or remain stuck in the human condition time after time which only guarantees eventual pain and death.

“Everything is constantly changing, including yourself, and this can be frightening to some, even to warriors. But it is true that there is nothing we can count on. Your body will age, become ill and die, which your father has taught you, and our finest aspirations can become shattered as you discovered after conquering all of your kingdoms. Everything that has a beginning must end. When you finally find your key, you will know what it is like to have neither beginnings nor endings, and you will understand a Reality that is eternal. But for now, just remember that whatever you run from, you will eventually have to face. You can never go back to where you’ve been or who you’ve been . . . because everything changes.”

I listened to Ariya with increasing interest. I probably couldn’t go back now, and it actually was no longer my intention to return to my kingdom, even though at times I felt as if I had abandoned my subjects, leaving them helpless without my leadership. But power could easily get into the wrong hands now, and if that happened, it would only be an additional hardship for my subjects. And if power was in the wrong hands, additional problems would develop for me; the new king would have to make sure that I never returned to cause complications.

Just as I was thinking to myself that I was going to see this through no matter what, Conqueror’s ears stood up. He nervously looked back into the dark forest. (To be continued)

E. Raymond Rock of Fort Myers, Florida is cofounder and principal teacher at the Southwest Florida Insight Center, http://www.SouthwestFloridaInsightCenter.com His twenty-eight years of meditation experience has taken him across four continents, including two stopovers in Thailand where he practiced in the remote northeast forests as an ordained Theravada Buddhist monk. His book, A Year to Enlightenment (Career Press/New Page Books) is now available at major bookstores and online retailers. Visit http://www.AYearToEnlightenment.com

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The art market has outperformed the stock market since 2001 attracting the attention of many new collectors. In fact art at auction eve had strong gains in 2007 as sub-prime lending began to take its toll on the American economy. 2008 will prove to be a challenging year as collectors and investors wonder if a correction is imminent. It may be, but prices are likely to hold in the short term, though they may not see the strong increases that we enjoyed in 2007.

  1. Strong Global Supply - American and European works lead the art market, but collectors are searching more than ever for art from undiscovered regions. As technology and global education improve, artistic talent is being discovered in lesser known areas. China, India, Latin America and Australia have experienced strong sales at auction.
  2. Emerging Regional Economies - Russia, China and India have experienced tremendous economic growth in the past seven years and are beginning to shape the world’s economy. Not only can certain people in these regions now afford to collect art, but they are buying many artists from their own region.
  3. Diversifying Portfolios - Since 2001, the stock market has had modest gains. During the same time, the art market has more than doubled its volume leading many to invest in art.
  4. Protecting Prices - The practise of bidding on works by certain artists in your own collection can keep prices for that artist high, but is extremely risky and marginally moral. The demand is artificial and sets the floor prices for some artists too high for a wide audience. And if a collector with several works by a single artist falls on hard times, the artificially inflated prices will drag down the market.
  5. Auction Guarantees - Sotheby’s and Christies have been offering guarantees on sale prices for an increasing amount of collectors. This has helped secure high profile works at auction, but some works missed their minimum, forcing the auction house to buy the pieces.
  6. Contemporary Art Moves to the Top - Before 2007 Modern Artists sat atop the secondary art market, but last year contemporary art took the top spot. With some of the top artists still producing work, pieces are beginning to show up at auction within months of their initial purchase from the artists’ studio.
  7. Return Sales- Some collectors are beginning to hold works for only a short time, returning them to auction within only a few years and sell for lofty prices. This speeds up the sales cycle similar to flipping houses in real estate.
  8. Artists as Businessmen and women- Some contemporary artists are hiring business managers to keep an eye on their works. Living artists can manipulate the supply of their works and they can even drum collectors to purchase high profile works to keep prices high.
  9. Celebrity Participation- Celebrity obsession extends to the art world and as artists become hot within celebrity circles, the added press coverage extends into the art community again creating more demand.
  10. Donor Museums - Major collectors also develop their personal stake by dedicating museums focused on their large collections increasing the importance and value of those collections.

The market is still strong, but 2008 is shaping up to be shaky. These ten trends will determine when a correction will hit the market. Some suggest the market will sustain its volume but other trends are showing early signs of softening. Careful attention must be paid before raising your paddle.

David J Ward is a writer for ArtPhile.com contributing content on collecting art and managing collections. For more of his work visit his article list.

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